This outrageous comedy stages a soap opera of epic proportions, as one corrupt property developer faces trial for Mexico's violent history. The fourth feature from Santiago Mohar Volkow, Una historia de amor y guerra centres on real estate baron Pepe Sánchez-Campo, whose mega-mall development brings him into conflict with local guerrillas. For once, bribery and a call to Daddy might not be enough to save Pepe – a character more grotesque than the telenovela unfolding around him. Trying to sabotage Pepe's marriage to Constanza, her cousin and lover Teo records Pepe cheating. The resulting chaos precipitates in a burlesque bloodbath involving treachery, talking animals, colonial history and bartering in the afterlife.

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Small-time criminal Watty Watts attempts to rob a convenience store with his drug-addict buddy, Billy Mack Black. The robbery, however, leads to murder, and soon Watty leaves Billy behind and goes on the run with his beloved girlfriend, Starlene. Heading toward Mexico, the fugitive couple gets plenty of media coverage, until there are even more people on their trail. Can Watty and Starlene make it south of the border without getting caught?

Malik Bishop is the best killer in the business, but when his crimelord employer wants his girlfriend, who may be unfaithful, eliminated, Bishop doesn't count on falling in love with the woman. Now he must choose between his heart and, perhaps, his life.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

Twelve-year old Theo plays for a local soccer club and has enough talent to eventually go pro. But his father has been on a self-destructive spiral ever since he started drinking and got divorced, and Theo feels powerless and anxious as he watches his dad slowly destroying his own life. But he refuses to give up on him. When a recruiter for a prestigious British club takes notice of him, Theo sees an opportunity to rekindle his father’s hope, but despite all his efforts he is not selected. So he decides to lie and say he was, hoping to make his father happy and proud. Theo’s dad is so overjoyed that he puts all his heart into helping his son prepare for “once-in-a-lifetime opportunity” gradually regaining his taste for life and motivation for the future. Until the lie reaches unforeseen proportions and completely spins out of control. Thankfully, Theo’s little lie has already operated big change and generated so much hope, that life is able to get back on track. Only better!

Food and Drink is a long-running British television series on BBC Two. First broadcast between 1982 and 2002, it was the first national television programme in the UK to cover the subject of food and drink without cookery and recipe demonstrations.Created in 1982 by BBC producer Henry Murray from an original idea by Jancis Robinson, Fay Maschler and Paul Levy, the first series was presented by Simon Bates and Gillian Miles, and introduced Jilly Goolden in her first regular television appearances as the programme's wine expert. Russell Harty presented filmed location reports from exceptional restaurants around Britain. This series featured the innovative idea of a small contributing audience of 20 people who were called "tasters and testers". The first series broadcast in the summer months but was instantly successful, drawing an average audience of 1.5 million a week, a high rating for BBC Two in the summer in the 80s.Later series were presented by Chris Kelly and chef Michael Barry with wine experts Jilly Goolden and Oz Clarke.A spin-off panel game, Food and Drink Summer Quiz, aired during the main show's summer break in 1987.The theme music was by Simon May.Food and Drink returned to BBC Two on 4 February 2013 co-hosted by Michel Roux Jr and Kate Goodman.

America's policy of producing cheap food at all costs has long hobbled small independent farmers, ranchers, and chefs. Worried for their survival, trailblazing food writer Ruth Reichl reaches out across political and social divides to uncover the country's broken food system and the innovators risking it all to transform it.

Jake and Bobby, the art director accompanying the truck, remain unaware that their vehicle will ultimately lead Mamiew to confront his own past all over again.